The original was origami, in the manner of Matisse, but I worried that the glue would dilapidate in time, leaving me with frayed and dog-eared edges, or pieces fallen out like teeth, and so I scanned the piece and digitally touched up the uncomfortable joins which scanning left behind. Thirty-five years later, safe inside a plastic folder in my portfolio, the original is still intact.
And why "The Face of God"? I'm afraid you will have to feed me royalties by purchasing the book if you want an answer to that question.
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