Alongside the blank or single-toned canvas you will also find a thousand other imitations of Duschamps, Picasso and Matisse, interspersed with the modern equivalents of the Crucifixion and the Madonna - generally attempts at optical illusion in the style of OpArt. "Relative Grey" is one of these, and I can vouch for having looked at it in at least a dozen galleries around the world. To be counted as an artist in today's world, one has to have contributed another pointless "Relative Grey" to the catalogue. Here, therefore, is mine.
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